throw
performance/soundinstallation_installation
collaboration with karl salzmann

a performative stoning, that sees itself as a subversive call against the supremacist and dominant social paradigm of blame and condemnation. psychic pain becomes feasible in a physical lasting transformation.

projection: naked body in embryo position, real size
sound: embryonic heart rate

karl salzmann transforms in his sound installation the throwing of stones in a scurrilous echotony. the act of throwing is supported by electric-acoustic techniques, repetitive playing and postulating its intention.

throw

open heart destroyed is an objective-orientated media installation. the work focuses on the oppressive momentum-caption of heart. the destruction exposes itself concentrically with technotic vibes on the flat screen.

video: echokardiogram
sound: ekg/flatline

open heart destroyed

human hair, photo print on fine art paper

in lost authenticity a black/white photo of a bald female skull and an object made from felted human hair document loss and deindividualization.

human hair collected during 1 month with support from hairdressers in wiener neustadt and neunkirchen 
(lower austria)

https://adz.ro/artikel/artikel/zum-dritten-mal-baroque-urban

na drugi pogled // auf den zweiten blick_organized by austrian cultural forum in belgrade /online platform 


https://www.secondglance.rs/en/viewpoints/eva-maria-schartmuller/120

lost authenticity 

exhibited@ vitrine / vienna; muzeul de arte / timisoara; MAG3 / vienna; kalemegdan fortress / belgrad

photo prints on fine art paper (on 3mm alu composite plate)


lost authenticity II

20m plastic film_installed on a coast line / isle brac, croatia

the installation deals with the intervention of artificial materials in natural cycles and regulatory systems. a thin plastic film, which partially covers the sea, turns into an area of activity. 
inherent inclinations and dynamics of the material are presented.

the plastic was removed from the sea after the documentation

plasticity

exhibited @ museumsquartier_quartier21 / vienna 

plasticity_installation

studio view; exhibited@ comenduirea garnizoanei / timisoara; villa farsetti / santa maria di sala / italy

salt is connected to a water_waste oil mixture. the installation addresses the constant contamination of natural systems of order by artificial substances and their feedback effect.

connected

video: operation cut
projection / geotope engelsberg_winzendorf

a torso which shows the operation scar shortly after an upper arm surgery is projected onto the surface of a former quarry. the smooth surface of the rock wall originated from the demolition process by means of rope saws. this incisions in the natural geology of the landscape reflect as an analogy to the stiched wounds of the projected human arm.

the position of man, his dealings with nature and the resulting consequences for both are content of the work.

https://pogmahon.com/exhibitions/global-crisis-shows/  

physical

exhibited@ 12-14 contemporary / vienna; magazzino 26 / triest; C3 complexity science center – UNAM / mexico city; galeria perimetral2 of "parque de los morales" / san luis potosi_mexico

museo de antropologia y arte contemporaneo / guayaquil_ecuador; noyes museum of art_stockton university / hammonton NJ_US

something´s wrong / the healing
installation

the vulnerability of the physical body as well as the human capacity for construction are made perceptible in the form of projected X-ray images.

something´s wrong / the healing

video: sequences from the movie kriegshysteriker und max none (1916) 
functionally-motor irritation or paralysis of states at war participants and
whose cure by suggestion in hypnosis_produced by the royal image and
film-amt / bufa in berlin

filmrights: bundesarchiv / filmarchiv berlin / transit filmgesellschaft mbH

impacts of ww1 were illuminated in the form of war-related trauma. sequences of an original film of 1914 give insights into the process of cause and effect.

https://www.modernism.ro/2020/02/24/grupul-noima-la-art-quarter-budapesta/

http://www.agentiadecarte.ro/2020/02/grupul-noima-la-art-quarter-budapesta/

https://www.ziarultimisoara.ro/cultura/5758-cu-sustinerea-institutului-cultural-roman-grupul-noima-va-reprezenta-romania-in-cadrul-expozitiei-itinerante-wittgenstei-2020-la-centrul-international-de-arta-contemporana-din-budapesta

shell shock

exhibited@12-14 contemporary / vienna; artist run space reger / wr. neustadt; austrian embassy, veliko tarnovo / bulgaria; abq project space / budapest; podroom / beograd; castelnuovo rangone /modena_italy

an auctioned original photo from the 1WW forms the starting material for the installation. 
the photographic event becomes visible as a fragmentary projection and puzzle.

shell shock II

exhibited@12-14 contemporary / vienna; artist run space reger / wr. neustadt

playground
installation
collaboration with gyula varnai (sounddesign)

the central motif of the installation "playground" is a solidified swing, whose tattered rope and destroyed ground offer a metaphorical representation of the destructive interaction with the current social and environmental situation.

playground

studio view; exhibited@12-14 contemporary / vienna

the installation fragments an intention bundled in its origin, detaches it from its structure to make the 
fragmentation observable and perceivable.
based on the lyrics of jimenéz they reflect past in a timeless context, becoming relative and serve only 
to display an example for such processes.

video: sign language_ paulina sarbinowska

escape

exhibited@bulgarian cultural institute_wittgensteinhaus / vienna

destruction
performance_installation
collaboration with robert reszner

destruction/schartmüller: plasterboard, wall paint
nährwertverlust/reszner: display case, maggots

performance and installation were conceived for the exhibition thistopia and reflect potential consequences of distopian developments in art.

the maggots were released into the wild after pupation!

destruction

inactive microphones - facing the rolls of grass - imply an attempt to understand.
the installation thematises the alienation from nature and nature-related life forms.